The king before this was the Samyang 12mm F2 but now the Sigma has trumped it for the sole purpose of it being 1.4. The deep ridges on the fly-by-wire focus ring give you a good grip and help you make fine adjustments, while the stepping motor allows for quick, silent and accurate performance for stills and video. Sigma first released a series of three budget primes with moderately wide apertures (19mm, 30mm, and 60mm f/2.8 DN lenses). I’ll comment more on the bokeh quality in a moment, but Sigma does a good job of maintaining a circular shape even with the aperture closed down a number of stops. Within the article, there are affiliate links. Wide-angle lenses make it possible to include much more of the scene in your composition, making them an excellent choice for landscapes, as well as other genres such as architecture (both indoors and out), group shots, and astrophotography. Third party lenses get the first party treatment for in camera corrections of things like distortion, vignette, etc…. Wide-angle prime lenses are a good choice, not only because they tend to offer better optical quality than zooms but also because they usually boast a brighter maximum aperture. This is a comparison of all three Rokinon 14mm lenses (also branded as Samyang) is by landscape and astro photographer Matthew Saville.. If you decide to buy something after clicking the link, we will receive a small commission. the 2.8 aperture is handy for low-light work, compact and affordable for a wide-angle lens, lack of electronic contacts means you cannot transfer EXIF data, the perfect combination of affordability and quality, excellent performance from the fastest aperture, you cannot apply corrections to JPGs taken in-camera because the camera and lens don’t communicate EXIF data, optical quality is exactly what you’d expect from a Zeiss product, one of the more expensive lenses on this list, one of the widest and least expensive options listed here, good build quality and good sharpness at f/5.6 and f/8, corners are softer than the centre, especially at f/2.8 and f/4, manual focus lenses doesn’t transmit EXIF data, fiddly cap (but this may be limited to my copy), the 1.4 aperture is handy for low-light work, optical quality is excellent for the price, fast f/1.4 aperture is great for low-light work and separating subject from background, corners are softer than the centre at all values, 31.5mm equivalent focal length is somewhat unusual (it sits between a 28mm and 35mm lens), it’s the only ultra wide AF zoom for APS-C cameras, offers a very versatile range of focal lengths, sharpness isn’t as good at f/4 as it is at other values, lots of distortion and vignetting (but it can be corrected), it works as both a landscape lens and all-purpose lens thanks to flexible zoom range, sharpness falls off in the corners and at 70mm. If you’re in to low light hand-held shooting and like ultra wide angle views, this would be a great addition to your arsenal. Picture Information. Ratings Distribution. Focus breathing is also substantial, so you’ll notice a change in your field of view as you adjust focus. 19mm sigma vs 12mm samyang, lens compare sigma 19mm ex dn vs samyang 12mm, rokinon 12mm vs sigma 19mm, samyang 12mm v sigma 19mm, should buy samyang 12mm or sigma 19mm, sigma 19 mm v samyang 12 mm, sigma 19mm compared to samyang 12mm, sigma 19mm vs samyang 12mm. The compact and lightweight Rokinon 12mm f/2.0 NCS CS prime wide-angle lens for Samsung NX APS-C sensor cameras provides a 35mm-equivalent focal length of 18mm with a broad 98.9° angle of view. Adobe Photoshop Creative Cloud 1-Year Subscription I can now offer a 5% discount on all purchases at Amplis Foto, Canada’s Leading Photographic Supplier. If you compose with your subject having some distance to the background, it will definitely stand out. Rokinon 12mm F2.8 Fisheye Lens for Sony E Mount Cameras (NEX) - 12M-E-ROK. Why choose the Laowa 9mm f/2.8 Zero-D for your Sony APS-C camera: Check price on Amazon | Amazon UK | B&H Photo | eBay. Please enter discount code: AMPLIS52018DA in your cart. It’s larger than any of Sigma’s other DN series lenses, but still a very manageable size on my Sony a6500. This lens will be purpose bought for landscape astronomy in mind and thus, I’ll be buying as fast of lens as I can get, which is the Sigma ART 14mm f/1.8, which comes with a $1,500 price tag. Saville is quick to state that, having tested the lenses, the Sigma 14mm f/1.8 is the best of the bunch… but it’s also the most expensive at $1,600. The build quality is good, with its mixed metal and plastic construction, but the loose focus ring is somewhat annoying, as is the lack of a hyperfocal scale and electronic contacts to transfer EXIF data. Though they look nothing like the other ART series lenses, they were, ironically, badged as ART lenses. There is no standard distance window, and what I saw with the in camera feedback was that accurate focus for stars arrived nowhere close to “infinity”. The bokeh is also very smooth and pleasant, and you can achieve good subject separation by focusing close to your subject and using the fastest aperture. The large aperture is great for low light and for creating depth of field and its small size makes it highly portable. Star points are fairly crisp in the center of the frame, but near the edges they stretch a bit and grow wings. Enter your email and click the blue button below to open the subscription form. I'd say go with the 12 unless you plan to jump to FF in the near future, because I've found the extra stop of brightness really helpful for low light handheld photography while still being relatively free of major CA and coma. Save yourself some trouble and just shoot with the lens in APS-C mode. The wide maximum aperture of this lens only heightens a lot of people’s expectations for using this lens for astro work. That’s a great focal length, and is very useful in either Super 35 or crop for the classic framing options it gives. The 12mm is small, lightweight manual focus prime with a metal chassis and a plastic finish. Hi Roman, I believe Rokinon 12mm F2.0 NCS CS Ultra Wide Angle Lens would be the best for your Sony A6000 camera as this lens is tailored for APS-C crop sensor cameras (like the A6000). The lens does not really suffer with any green fringing after the plane of focus, but there is definitely some purple fringing that shows up before the plane of focus. i want to do night-caps that include foreground and the Milky way. Rokinon is the same company as Samyang, above, but they brand some of their lenses differently than others. If the sun is in your frame, you can expect an orb-like green flare to appear in your image, so it is best to keep the lens hood attached at all times to mitigate the effects. It is good for everything in your cart, and is stackable with other coupons, too! It is interesting to note, for example, that at the moment when I click the shutter I can see the sides of the images being “stretched” as the lens profile is added. This image shows both lenses in one frame, but with the Sigma wide open at f/1.8 and stopped down to f/2.8, vs. the Rokinon wide open at f/2.4 and stopped to f/2.8. I have decided to keep one of the two Rokinon 12mm f2.8 fisheye lenses I received for the reasons: super-wide angle of field (horizontal and verticle); pretty sharp images; easy to focus; great for various shooting scenes including close-up (haven't tried moving objects scene though) etc. I have a Sony a6000 and am looking to upgrade my lens for mainly astrophotography and landscape photography. This makes sense though, as the Sony, which is classified as a pancake lens, has fewer optical elements and a slower maximum aperture of f/2.8. Joined: Nov 21, 2016 Messages: 15 Likes Received: 3-Return to Top-Sorry if this is a dumb question, but I tried to search this forum of threads and tried to google this topic. From an aesthetics standpoint, which I honestly care almost nothing about, the 14SP is a nice-looking lens and was clearly designed with Zeiss’s external look in mind. It has a bright 1.4 aperture and comes at a very reasonable price, making it a very appealing choice for anyone who uses a Sony APS-C camera. I could easily see myself losing it at some point in the future! So, the 16mm DN is getting some in camera help, but the good news is that the end product is pretty excellent. The 16m DN seems to fall into mostly the normally good category. Sigma 14mm f/1.8 Art vs Laowa 12mm f/2.8 Here are a couples I have been looking at . Learn how your comment data is processed. The same is true of vignette, that, while it certainly exists if you go digging for it, arrives already corrected for in both RAW and JPEG images. It’s wide enough to be a great vlogging lens without being too wide. Rokinon 8mm vs. 10mm vs. Sigma 8-16mm vs. Pentax 10-17mm Ultra-wide Showdown Field of View Comparison. The front element is quit… The Rokinon 10mm f/2.8 ED AS NCS CS Lens is a prime, manual focus wide-angle lens designed specifically for use with APS-C sized image sensors. But by the time the image stretches out and is massaged into shape by the end result is not bad, with only a mild amount of barrel distortion remaining. Although sharpness is generally excellent through zoom and aperture ranges, it delivers the best results at the widest angle between f/4 and f/11, which is good news for landscape photographers. Rokinon 12mm F2 SC is about 1/2 times more expensive, however it’s massively available on the used lens market. In practice, the Sigma 16mm f/1.4 DN has great autofocus. In this article, we’re going to take a look at the best wide-angle options currently available to those who use Sony APS-C models such as the a6000, a6300, a6400 and a6500. So, this comparison is between the f/2.4 version, Rokinon/Samyang’s higher-end 14mm lens. One nice touch that I’ve seen on some of the ART series lenses and that is included on the 16mm DN lens is a rubberized transition zone on the included lens hood right where you would grip the lens hood to loosen or tighten it. It will take 5% off your entire order! In our tests, we found that optical quality at the centre was at its best between f/2 and f/5.6 but f/1.4 remains perfectly useable. The corner sharper increases slowly as you stop the lens down, and the optimal aperture for landscapes seems to be around f/5.6 where the center and edge performance are most closely aligned. SIGMA vs. ROKINON. Compare Sigma 16mm f 1.4 DC DN Contemporary Lens for Sony E vs Rokinon 12mm f 2.0 NCS CS Lens for Sony E-Mount Black vs Rokinon 8mm f 2.8 UMC Fisheye II Lens for Sony E Black vs Sony E 16mm … Distortion and vignetting aren’t an issue despite the ultra wide focal length of this lens, and flare and chromatic aberration hardly appear at all. In this case, however, the automatic correction will be there in both your JPEG images and through the embedded profile in RAW files. At f/2 sharpness is already excellent in the centre but the best results can be found between f/4 and f/5.6. The premium competitors (Zeiss Touit or Sony Zeiss options) are mostly double in price, and the similarly priced or less expensive options lack the feature set of the 16mm. The lens weighs 14.29 oz (405g). As previously noted, the physical design of the 16mm DN is instantly familiar to those who have used either the 30mm f/1.4 DN Contemporary or a lens like the 35mm f/1.4 or 50mm f/1.4 ART lenses. The performance deteriorates a little in the corners and at the longest focal length (70mm). At the time of writing, it costs just shy of $1000 US. The Rokinon FE14M-S 14mm F2.8 Ultra Wide Fixed Lens is intended for fullframe cameras, although is compatible for APS-C sensor cameras and should work with it. The Sony E-Mount Rokinon 12mm f/2.0 NCS CS Lens is a prime super wide angle lens designed specifically for Sony mirrorless cameras with APS-C sized image sensors. Rokinon’s wide ... Sigma 16mm F1.4 DC DN Contemporary. For stills, the autofocus is quick and accurate, and the image quality is definitely at the top of the heap. The 16mm DN is a very strongly performing lens, with a lot of resolution available even at wide apertures. Gear. The 12mm f/2 Rokinon and the 16mm f/1.4 Fujinon are in my mirrorless 5-lens available light kit. Last updated: August 27, 2019 Go to Comments. Proceeds go towards keeping this site going and providing you with new reviews! If this were an ART series lens designed for DLSRs, it would be a thousand dollar lens, so at less than half that it definitely earns an easy recommendation. My Patreon:  | Google+: | Facebook: | Twitter: | Flickr: | 500px: | Sign Up for My Newsletter : DISCLAIMER: This article and description contains affiliate links, which means that if you click on one of the product links, I’ll receive a small commission. Ethics statement: All opinions expressed in this article are based on our real-world experience with each lens unless otherwise stated. I've heard many good things about both the sigma and the Rokinon but can't seem to find any clear answer. You have the option of manually turning APS-C mode off, but there is little to gain by doing so. Price: US $399.00 (approx C $517.72) View original item. Distortion can be corrected via the lens profile in Lightroom but chromatic aberration, which is present up until f/8, is a bit trickier to eliminate. It clicks firmly against the lens mount with no noticeable side to side play and only a slight amount of rotation play, no more than any of my other lenses. I should note here that the lens is easy to add filters to at a very common 67mm size, which certainly adds to the value as a landscape lens. And finally, the 16mm at 2.8 has that 2/3 stop advantage over the 16-50 at 3.5, not a big deal, though possibly advantageous for … There are no switches nor any distance markers on the lens due it it having a stepping motor with a “focus by wire” manual focus ring (with such lenses there is no physical coupling to the elements, which renders a standard distance window impossible). If you need magnification from your wide angle lens, something like the Samyang/Rokinon 12mm f/2 lens might better suit your purpose. Some photographers may wonder why this lens costs $800, while the Samyang 14mm f/2.8 costs just $250-370. This is a great focal length, in either Super 35 (full APS-C frame – 24mm full frame equivalent) or 30P crop mode (where it frames a little tighter – probably closer to a 30mm full frame equivalent via a roughly 1.8x crop factor), and will give you quality footage with great detail and quality autofocus. There are certainly no odd color casts, nor do images look flat and unsaturated. A secondary issue is more about the nature of mirrorless. The focal length is not so wide that you should get too many weird “polarizing” effects in blue skies. I've been quite happy with the 12/2. First the bad – there’s definitely some coma. My research has lead me to these two. I only noticed them at a pixel level examination of the image. If you want much better optical performance though, the Samyang / Rokinon 14mm f/2.4 is a much better lens in comparison. Your personal data won't be recorded until the form has been submitted successfully. Even I put the lens next to my ear the only thing I hear during focus is the focus confirmation beep. I’ve done my best, but please realize that this lens is capable of delivering better color than what my review photos might suggest. That said, it is one of the only f/1.4 lenses for Sony APS-C, so it remains a unique offering in this category. The 16mm DN is the first Sigma mirrorless lens to include some moisture resistance, which I think very important on a lens that will likely be used for landscape work. The Rokinon 10mm f/2.8 ED AS NCS CS Lens is a prime, manual focus wide-angle lens designed specifically for use with APS-C sized image sensors. The Rokinon 12mm F/2 performs very well; especially for the price. The 12 mm is definitely worth the money, but the 16 is my favorite. The 14mm is heavier because its designed for full-frame. If you want to eliminate some CA at f/1.4, you need to use something like Adobe’s eyedropper tool to select the color and then eliminate it. My only (small) complaint is that it is a little too large for the smallest Sony APS-C cameras, especially when the lens hood is attached. See my full video review here! The lens hood also snaps in place with a … Wide-Angle Zoom Lenses4. It’s built out of high quality plastics with a metallic lens mount. If you want much better optical performance though, the Samyang / Rokinon 14mm f/2.4 is a much better lens in comparison. It is well-suited for architectural, interior, and landscape images, plus its fast f/2.0 maximum aperture benefits working in low-light conditions. The 16mm is asp-c sensor only and thats me I have a canon 750D. Image not available. Some lateral chromatic aberration is present up until f/4 while the heavy barrel distortion is corrected via the lens profile. Sharpness is impressive across the frame even at the fastest aperture, and as the Zero-D moniker suggests, there is very little distortion to speak of. Internal conversations with Sigma insiders reveals that the popularity of Sony’s E mount (and its evolution to the more premium a6xxx series) caught Sigma a little by surprise, and this second wave of lenses (and their more premium nature) makes for a better match with Sony’s own evolution. I know others are available but suffice to say 6 months of trawling have led here. The 16mm DN is the first Sigma mirrorless lens to include some moisture resistance, which I think very important on a lens that will likely be used for landscape work. Mostly for astrophotography and also general landscape shots. Note: the code above is invalidwhen the software is on pre-order. With its funnel-like shape and large front element, it isn’t particularly small compared to many of the primes in the Sony APS-C range but it is portable and well-balanced on a body like the a6500. The Sigma 10-20mm lens for APS-C dSLRs is nearly twice the size and nowhere near as sharp as the Rokinon / Samyang 12mm f/2. This is especially true the more you zoom out. The bokeh is decent for a wide angle lens and flare resistance is good as long as you don’t shoot into direct sunlight. However that certainly doesn’t stop me from buying these lenses for my hobby, of course, which is astro-landscape photography and general adventure photography. Full Name: Rokinon 16mm f/2 ED AS UMC CS Dimensions: 3.27 inches/84 millimeters wide, 3.42 inches/86 millimeters long, with a moderate weight of 20 ounces/571 grams. That added engineering challenge is shown in the complexity of the optical formula, which is 16 elements in 13 groups (almost twice as complex)! The Sigma 16mm 1.4 DC DN Contemporary is a high performance prime with a large aperture of F1.4 designed for APS-C Mirrorless cameras including Sony E mount and Micro Four Thirds. The lens is very compact, with a high quality plastic build and metal mount but sadly no weather-sealing. My research has lead me to these two. Comatic aberrations are something I try to test and look for with any wide angle options that might potentially be used for astrophotograpy (stars) or similar purposes. In the corners, sharpness falls off at f/2.8 and f/4 but remains decent from f/8 through to its slowest aperture values. Size and weight wise, we’ve found that either lens is a good match for Sony E-mount camer… If you need magnification from your wide angle lens, something like the Samyang/Rokinon 12mm f/2 lens might better suit your purpose. 800-223-2500 Help Center NYC Store Hours Live Chat. As an Amazon Associate I earn from qualifying purchases. Pros: Excellent image quality, the best of this group at f/2.8. This weakness aside, the 10-18mm is a well-rounded performer, delivering good autofocus on the latest bodies and decent optical stabilisation down to 1/2s (at 10mm) or 1/4s (at 18mm). Why choose the Sigma 16mm 1.4 for your Sony APS-C camera: Before testing the 19mm, I admit that I didn’t have particularly high hopes given the very low price point of just $170 US and age of the lens. Fortunately, in this case, the solution is easy. Used Rokinon 16mm F/2.0 ED AS UMC CS Lens for Nikon F Mount Cameras E 4.1. Unlike Canon, however, they also embed profile corrections into the RAW files. Sigma 16mm f/1.4 DN Contemporary | B&H Photo | Amazon | Amazon Canada | Amazon UK  In most situations I found the quality of the bokeh to be fairly nice, as this shot of pillars on a staircase shows. The barrel is constructed from a mix of plastic, metal and Thermally Stable Composite and feels very solid in the hand but only the brass bayonet mount is sealed against dust and moisture. Sell one like this. Thank you for your support. You can also fit 49mm filters to the front. If you own Micro 4/3rds or Sony APS-C E-mount, the 16mm DN should be a serious interest to you. This was in large part due to the fact that it was developed during the NEX days when Sony exclusively used a Contrast AF focus system in its mirrorless system. This is, by a good margin, the largest lens in the DN series, but it is still a relatively compact lens by normal standards. If size and weight are important to you, one of the first differences you’ll certainly notice is just how much smaller and lighter the Sony lens is in comparison to the Sigma. Sony loves innovation, and my opinion is that they are much better at developing new technology than they are at fully realizing (and servicing) existing tech. It’s important for a landscape lens to deliver a good color performance. Super-Wide Prime Lenses2. You might spot some chromatic aberration towards the edge of the frame or flare if you shoot into direct sunlight. The AF is near instantaneous as I move from minimum focus to infinity targets, locking on silently and confidently. When working in S-AF, we generally found the linear AF motor to be quick and silent. I’ve saved some of the best news until last. The good news is that the newer DN lenses (16 and 30mm) have been developed with Sony’s newer AF technology in mind. Sell it yourself. Now for the good. The final lens rating, the Samyang 10mm prime's admirable performance is summed up below. At just 258g, this thing is pretty lightweight for a superwide f/2.0 lens, but it feels solid and has a metal mount, so it looks robust enough. Also, since the Sigma 16mm f/1.4 is at a more extreme wide-angle, you will get some lens distortion, while the 30mm focal length gives a more natural look. © 2012 Dustin Abbott. The lens focuses smoothly and quietly during AF-C mode, and I found face tracking to be better than typical for the Sigma DN series, with no noticeable “glitches” where my face was lost. All in all, I’m pleased enough with the lens that I purchased my own copy at the end of my review, and that is really the highest praise I could give it. I’ve seen some modern lenses with a bit of a color cast/bias to them or that deliver somewhat flat colors, and there are some other lenses (usually with Zeiss attached to them) that have a extraordinarily beautiful color rendition that is both vivid and accurate. The Rokinon 12mm f/2.0 NCS CS lens ($299) for Micro Four Thirds is an affordable, effective optic for night sky photography, as I talked about in the last TDS podcast.But this lens is no one-trick pony. So all you see with regard to its function suit my camera. Distortion won’t pose a problem as long as you apply the correct lens profile to your image in post production and vignetting isn’t an issue. Looking at Samyang/rokinon 10mm f2.8, 12mm f2.8(fisheye), 16mm f2.0 and Tokina 11-16 f2.8 suggested by a friend that already does astro. Although it benefits from a constant f/4 aperture, sharpness is never as good at this value as it is at f/5.6 or f/8. To be fair, however, this is also the most extreme lens in the series, as all previous lenses have been very “safe” focal ranges (from 28mm – 90mm full frame equivalent). The main difference is that despite falling into the “budget” lens category, it is still $150 more expensive than the 19mm. Alien Skin Exposure X2 (Use Code “dustinabbott” to get 10% anything and everything). The Sony E 10-18mm f/4 OSS was, at the time of its release in 2012, the only wide-angle zoom for Sony APS-C, and to be honest, the selection hasn’t really improved since then! Sigma says this, “The optical design and stepping motor deliver smooth autofocus during video shooting. Your opinions and comments are valuable to us. You get to take advantage of that great sensor and still get a nice 18 MP of resolution. Thanks to my friends over at Sigma Canada for the loaner of the review copy of the lens. We found something similar. The same truth applies here. The bane of wide-angle lenses is the light fall-off that is inevitable as lens focal lengths decrease. A nice bonus is that the nine bladed aperture produces very nice sun bursts/sunstars with the lens stopped down, which I really appreciate in a wide angle lens. The lens still balances fine on the Sony a6500 body that I used to test it on, though it is definitely up in weight from the 30mm, which weighed in at 265g. The lens has the now standard nine rounded aperture blades that I’ve seen on most all the Sigma lenses I’ve reviewed in the last 4-5 years. Although we weren’t able to test it for astrophotography, many reviews hail it as one of the best options for this particular genre. I suspect this will be a fairly popular lens, as it seems like a great option for videographers with smooth, quiet focus that takes advantage of the a6500 or similar camera’s strengths as a video platform. I love shooting backlit scenes and adding that sunburst effect as a finishing detail. Most of the barrel is constructed from solid metal, with the exception of the smooth rubber focus ring which is very precise and enjoyable to use. That’s not the kind of testing I like to do…but the lens passed, with flying colors. It typically appears as purple fringing before the plane of focus and sometimes also with some green fringing after the plane of focus. Another couple inches of length are added with the hood, but only about an ounce or so of weight. This means that when you turn the focus ring it sends input to the focus motor, which then moves the elements to focus. In Sony APS-C terms, any lens with a focal length of 23mm (35mm in 35mm terms) or wider is classified as a wide-angle lens, whereas anything wider than 16mm (24mm in 35mm terms) falls into the ultra-wide lens category. I have decided that what matters in my Sony reviews is to report on what you are going to see as the end user, which is going to be the images after correction. Sigma vs. Rokinon Centre Sharpness Compared. I have a nikon D300 with cropped sensor at the moment and am quite happy with it! We were not asked to write anything about these products, nor were we provided any compensation of any kind. I only wish they’d included the f/11 marking on the barrel as I use this value quite often. This is a comparison of all three Rokinon 14mm lenses (also branded as Samyang) is by landscape and astro photographer Matthew Saville.. It also comes in a much wider range of lens mount options than the Sigma 15mm f/2.8 EX DG … It's also quite capable for landscape and urban work. On top of that, it's fairly safe to say that Sigma 16mm f/1.4 DC DN is a more popular lens, based on its 20+ reviews. They are especially useful when you want to eliminate or include a specific element close to the edge of the frame, but cannot physically move due to constraints in your environment (such the edge of a cliff or a brick wall). While all Sigma lenses use a lot of the same materials (a mixture of metals and their “thermal composites”, aka high end engineered plastics), some Sigma lenses have a slightly more premium feel to them. Sigma vs. Rokinon. Sony E 16mm f/2.8: Up until the arrival of the Sigma 16mm f/1.4, the Sony 16mm f/2.8 pancake lens was the only option Sony E-mount users had if they wanted a 24mm equivalent prime (35mm format) with autofocus. I like having the two framing options from this lens, as both perspectives are highly useful from a storytelling perspective. The main drawback of most wide-angle zooms designed for Sony APS-C cameras however is that they aren’t particularly bright, making them more challenging to use in low-light situations. This is such a lens, and nothing about the lens feels cheap. It feels rather dense for its size, presumably from the 12 element design. I was being careful initially, but while shooting a shot of the bridal party from across the foyer of the facility we were in, I was rushing down the stairs for another angle when it happened. Fair enough, though I’ve seen very few perfectly corrected lenses in my day, and I don’t recall any of them being ART lenses (Otus, perhaps!). Thanks to its minimum focus distance of 25cm, you can comfortably work with this lens even in tight spaces. When I rescued it at the bottom, however, while the lens hood was knocked askew and had pushed the rubber of the focus ring back a bit, I was able to quickly straighten everything up and ended up with no more than a small scuff on the lens hood. Below, see how the Nikon 14-24mm f/2.8, Zeiss Milvus 15mm f/2.8, Rokinon SP 14mm f/2.4, and Sigma Art 14mm f/1.8 compare in a field test shooting the Milky Way and night sky. So Sigma 16mm f/1.4 DC DN, while being a pricier option, tends to get more favorable ⭐ reviews than the $349 Rokinon 14mm f/2.8 IF ED MC, as seen on the chart below. Have one to sell? It is a prime super wide angle lens designed specifically for Sony mirrorless cameras with APS-C sized image sensors. I watched in frozen horror as the camera and lens bounced down the wooden rungs of the staircase…all the way down. As you’d expect, it lacks electronic contacts and autofocus but centre sharpness is very good through the aperture range. I’ve tested all of these, and they are actually surprisingly good little optics, with nice color, quiet focus, extremely compact size, and a bargain price. Providing a 35mm-equivalent focal length of 16mm and a broad 105.9° angle of view, this lens is ideally suited for interior, architectural, and landscape photography applications. The lens focused fine, and when I tested it later, continued to show good centering. These are almost never going to be large enough with this kind focal length to be noticeable, however, so I wouldn’t be too concerned. The APSC E-mount needs more options like this. It features a flexible range of 24-105mm in 35mm equivalent terms and a constant f/4 aperture. At less than $200, it is more or less the same price as the Sigma 19mm (mentioned below) but provides a much wider field of view. Being a very compact lens, it is also a good match for Sony APS-C cameras. I like to add ND filters for allowing for longer shutter speeds, and in some situations a circular polarizer can reduce reflections, add contrast, and deepen color saturation. For example, if you shoot a model from low to high with the Sigma 16mm, the feet of the model will look much larger than the hands of the model. Unfortunately this has never been a big Sigma strength in the many Sigma lenses that I’ve tested. My biggest complaint concerns the plastic lens cap: it is fiddly to reattach and the clips don’t lock on tightly enough. The footage is noticeably sharper than average, and I fully expect this lens to be a favorite with videographers. The optical performance of the Rokinon 12mm F/2 lens reminds me of the Sigma 19mm F/2.8 reviewed here. I’ve saved some of the best news until last. The build quality is on par with most Sony APS-C lenses: it has a black plastic finish and a metal lens mount. Excluded / Not yet tested lenses. Providing a 35mm-equivalent focal length of 18mm and a broad 98.9° angle of view, this lens is great for interior, landscape, and architectural images. It's also quite capable for landscape and urban work. Equipping your creativity, since 1974. Certainly for landscape type work or general purpose shootings the lens will work just fine after the profile corrections are applied. Since I primarily use these lenses for shooting stills and video in dimly lit situations, their fast lens speed is very important to me. Autofocus is rarely going to work in that kind of setting, either, so you will have to practice focusing. There are a couple of other advantages that go with choosing the Sony 20mm – namely its compactness and full compatibility with Sony’s PDAF system – but the Sigma 19mm is a little sharper at f/2.8 and in the corners. The Rokinon 14mm Ultra Wide-Angle f/2.8 IF ED UMC Lens is a great piece of glass. I did notice some purple fringing in certain high contrast scenes at wide apertures. Why choose the Samyang Rokinon 21mm f/1.4 for your Sony APS-C camera: Zoom lenses are convenient for wide-angle photography because they allow you to adjust your composition without physically changing your location. Color accuracy seemed to be quite good, and saturation seemed about neutral (meaning you can dial in what you want either via in camera profiles or in post processing). By setting the Fstop so low means that you can reduce the ISO on your camera, creating less digital noise in your shots while still obtaining the same amount of light. The Sigma isn’t the first 16mm lens for Sony APS-C however. Lateral CA is mostly unaffected by aperture, and will appear at most aperture values. Sigma 14mm f/1.8 Art vs Laowa 12mm f/2.8 The answer should be clear below: The Rokinon … Thanks! Sony is very much a forward looking company, and that has both good and bad points. Both are pleasant to use. (However, image quality suffers at f/1.8, and shooting wide open should be reserved for situations where shutter speed or image noise is a high priority.) It has a build quality that puts it up near the luxury end of the class of lenses available for Sony E Mount (particularly the APS-C lenses), and a price that is only moderate at $449 USD. Sharpness is very good even at f/2.8 and the quality of the background blur is decent. Table of contents1. Here’s a breakdown of the resolution in a controlled test at fairly close range: When I shot a similar scene on the a6500/Sigma 16mm and then the new a7RIII/Sony FE 24-105mm f/4 G OSS lens (at f/5.6) and then downsampled the a7RIII image to equivalent resolution with the a6500 (which favors the a7RIII result), I found that the Sigma 16mm DN still delivered the better image. I have a choice between the two lenses. It is well-suited for architectural, interior, and landscape images, plus its fast f/2.0 maximum aperture benefits working in low-light conditions. I’ve got you covered! The Sony a6500 I’m testing the lens on has an excellent sensor. Axial CA is often “fixed” by stopping the lens down to smaller apertures, as the depth of field increases and there is less variance between the focus of the colors. Rokinon’s wide angle lens is the best you could get at an affordable price. The focus ring is rubber, like the older version, but doesn’t have the grippy ridges of the old version. This is great in real world use, but as a lens reviewer it can be a little difficult to divorce lens performance from camera corrections. The byproduct is a rather poor 0.10x magnification (1:9.9 reproduction ratio). Lumens, Apr 18, 2017 #9. liggy likes this. Great News! Despite being an ultra wide angle lens, it is fairly compact, tipping the scales at just 225g. The nature of this is covered in the resolution section above. Another bonus for users of non-stabilised bodies is the inclusion of OSS, which means you can take sharp shots down to 1/10s at 16mm if you are steady. Sigma 50mm f/1.4 Art – This is the only sub-$1,000 lens that is on par with or better than the Rokinon 50mm, pain and simple. The first thing that should be said about this lens is that it is tiny – so tiny in fact that you should have no trouble finding a spot for it inside your camera bag or your jacket pocket. As a result, Sigma’s approach to mirrorless branding is a little like Alice’s “Through the Looking Glass”, where everything ends up somewhat upside down. Though it shared a lot of design elements with the SLR ART series primes (similar body style and materials), along with the wide maximum aperture that ART primes are famous for, it was, ironically, badged a “Contemporary” lens. Hi Roman, I believe Rokinon 12mm F2.0 NCS CS Ultra Wide Angle Lens would be the best for your Sony A6000 camera as this lens is tailored for APS-C crop sensor cameras (like the A6000). Sony a6500: B&H Photo | Amazon | Amazon.ca | Amazon UK | Ebay One of the best deals you can find for your Sony APS-C camera is the Samyang Rokinon 12mm f/2 whose field of view sits in between ultra wide and moderately wide at 18mm in 35mm terms. Why choose the Sony E 10-18mm f/4 for your Sony APS-C camera: An all-purpose lens that most Sony APS-C users will want in their collection is the 16-70mm f/4 ZA. And it is silent. The widest lens on the list, equating to 13.5mm in 35mm terms, is the Laowa 9mm f/2.8 Zero-D lens. This is about ¾” (19mm) longer than the 30mm, but only about 7mm larger in girth. Rokinon 10mm 14mm 16mm astrophotography in Canon EF and EF-S Lenses ... You don't have any landscape in the 16mm shot there. From an aesthetics standpoint, which I honestly care almost nothing about, the 14SP is a nice-looking lens and was clearly designed with Zeiss’s external look in mind. Still, I like the lens on the a7RIII as a reasonably sized, sharp prime in APS-C mode and also as a great video option in Super 35 mode. Compare feature is totally useless on … Rokinon 8mm vs. 10mm vs. Sigma 8-16mm vs. Pentax 10-17mm Ultra-wide Showdown Rokinon 10mm Rating. In 2016 Sigma launched a new mirrorless lens, the Sigma 30mm f/1.4 DN DC. Providing a 35mm-equivalent focal length of 16mm and a broad 105.9° angle of view, this lens is ideally suited for interior, architectural, and landscape photography applications. The best way to get all the info is to watch this video: One of my favorite things about Sony is that they are not restrictive with third party lenses when it comes to in camera profiles. I’ve purchased my sample used for the price of new 7artisans 12mm F2.8. Wide Prime Lenses3. Our newsletter goes out every week on Sunday. However everything else about the … * In fact, one of the oldest primes for the system is the E 16mm f/2.8, an inexpensive pancake lens haunted by something of a mixed reputation. This lens does seem better than average though. Prefer to watch your reviews? Included is a small petal shaped lens hood. Used between f/4 and f/11, the performance of the Sony is just as good as the Sigma. The 16mm F2.0 ED AS UMC CS ($499) is just one in Rokinon's line of affordably priced manual focus lenses for SLRs and mirorless cameras.It covers a … Most distortion is corrected thanks to the in-camera profile corrections and flare only occurs in strong backlit situations. Later on, however, Sony moved to a hybrid system that employs both Phase Detect and Contrast AF along with new features like Eye AF. Zoom: 15mm Laowa vs. Rokinon 14mm SP vs. Sigma Art 14mm – Comparing the left side of the image for vignetting (light fall-off), wide open and stopped down. Less vignette along the edges, better sharpness near the edges, and slightly more contrast. For a little less ... That being said, the Rokinon 12mm f/2.8 ED AS IF NCS UMC has perhaps a wider scope of use than the Sigma 15mm f/2.8. Read our story. I’ve saved some of the best news until last. The corners are softer at the fastest apertures and you’ll encounter some vignetting but this is to be expected. Sony a7R III Camera: B&H Photo | Amazon | Amazon.ca | Amazon UK  | Ebay Focusing is also fast on the latest bodies despite the age of the lens. 7 reviews. mnhoj Premium Member. Opens image gallery. If you were planning to do some macro work with your wide angle lens, the 16mm DN is certainly not going to your first choice. The image quality from these lenses is excellent. But as it turns out, it is a very good performer. For example, Lonely Speck states that the levels of coma at f/2 are very low and practically non-existent by f/2.8. We’d like this vignetting to … Personally, I would not use the Samyang 14mm f/2.8 for astrophotography, but if you need a pretty decent ultra wide-angle lens for landscape photography, it is of good value. Within the E-mount category, there are now plenty of prime lenses to choose between as you’ll see below. The latter is useful if you want to separate the subject from the background or gather as much ambient light as possible for night and astrophotography. Whether you’re a landscape photographer, a nightscape photographer, or an in-your-face portrait or action sports photographer, you might be in the market for an ultra-wide prime lens.Rokinon now has three 14mm lenses on the market. I’m a landscape guy so I’m content using a tripod in low light, and I’m not too concerned about hand-held shots. There isn’t any weather-sealing, which is a shame considering its price, but you can’t really complain about the build quality which consists of an all-metal exterior and nicely damped zoom and focus rings. You can also make a donation here if you would like. Zenitar 16mm vs Rokinon (Samsung) 14mm - PentaxForums.com This didn’t surprise me to be honest as I’ve fallen in love with almost every lens in Sigma’s Contemporary and Art series for mirrorless cameras so far! I’ve used some other third party wide angle lenses for Sony (the aforementioned Sigma 19mm and the Zeiss Touit 12mm f/2.8) and got a bit of pulsing with those lenses in certain situations (this was also true of several lenses I adapted to the system), but I’ve not seen any of that behavior from the 16mm DN, which locks on very confidently. It isn’t quite as precise as direct manual focus, though, as thus makes focusing on the stars a little more challenging. I had luck, but not exactly the answer I was looking for. All Rights Reserved. Aspherical Lens. A quick look inside the camera bag of most photographers will usually reveal at least one wide-angle prime or zoom. Why choose the 7artisans 12mm f/2.8 for your Sony APS-C camera: A wide-angle lens for Sony that left me a very good impression was the Sigma 16mm f/1.4 DC DN C (24mm in 35mm terms). The Rokinon 14mm f/2.8 and the Rokinon 14mm f/2.4SP. Why choose the Samyang Rokinon 12mm f/2 for your X Series camera: One of the pricier options on this list is the Zeiss Touit 12mm f/2.8 (18mm equivalent in 35mm terms) which was announced for Sony E-mount and Fujifilm X series cameras a few years ago. AF-C mode produces no audible noise, either, and I got excellent face tracing during video segments (something I use these Sigma lenses for quite a bit). Because the star points occupy so little space in a wide angle frame like this, this isn’t overly obvious unless you are looking at a pixel level. Images look very good coming out of the lens, but neither was I wowed in any particular way. The king before this was the Samyang 12mm F2 but now the Sigma has trumped it for the sole purpose of it being 1.4. In real world shooting I was very happy with the results, with a lot of good detail showing up at a pixel level. Three months ago, I got myself the new Samyang/Rokinon 12mm f2.0 NCS CS lens for my Fujifilm X-E2 and in the time since I’ve been using it a lot, both locally around here and in trips to Greece and Ireland. This is why the announcement of the Sigma 16mm f/1.4, with its 24mm equivalent field of view and fast maximum aperture, was such breath of fresh air for E-mount users. This axial CA does rob a little of the wide open contrast (which may or may not be a bad thing depending on your subject and/or shooting style). One area of strength for the lens is in the flare resistance (a key metric for a wide angle lens!). Zeiss has created a solution to this on its high end Batis line by adding a small OLED display that electronically simulates a distance window (among other things.). The metal chassis feels solid and hefty and the built-in lens hood suits the lens very well. SassE New Member. This video breaks down the build and handling of the 16mm DN. Here’s the infamous staircase, shot with the lens…. The even better news is that the lens sucks in a LOT of light, making it very easy to shoot stars at lower ISO levels and faster shutter speeds, which means a cleaner result and also less risk of movement in the stars. They aren’t the worse performers in this metric, but neither are they near the top, either. The 16mm has the option of adding the UWA or Fisheye add-on adapters, but I have the 12mm Rokinon already and see no real need for the UWA other than to have AF at 12mm - not a big deal. As for flare, it can appear in scenes with bright light sources but I never found it overly invasive. Compare Sigma 16mm f 1.4 DC DN Contemporary Lens for Sony E vs Rokinon 12mm f 2.0 NCS CS Lens for Sony E-Mount Black vs Rokinon 8mm f 2.8 UMC Fisheye II Lens for Sony E Black vs Sony E 16mm … The Rokinon is a great choice for urbex and caving photographers as well as extreme action sports, astrophotography, and landscape works. But first, I’d like to thank Brent of BrentRentsLenses.com for loaning the Sigma lens used in this test, and B&H for loaning the Zeiss and Rokinon lenses. The 16mm lens corresponds to a classic wide angle of 24mm, and with an extremely large maximum aperture to boot. Unlike lateral chromatic aberrations, which often appear near the edges of the frame as green and purple fringing on both the top and bottom of things like, say, tree branches or other high contrast subjects, axial CA (LoCA) occurs when not all colors focus equally. Chromatic aberration isn’t an issue and flare will only show up if you shoot directly into a strong light source. After a few months of shooting with the Rokinon 12mm f/2, the humble little thing has entered my holy trinity of budget lenses for the Fuji system: the Helios 4-44 58mm f/2, the Fujinon 35mm f/1.4, and the Rokinon 12mm f/2. The 12mm is lighter and more portable. All in all there is a lot to like and little to criticize here. They look a little like mosquitoes. They are both stiffer than the typical Fuji lenses’ ones and that’s a good thing. It has huge lens hood and quite wide front lens body area. There is a bit of veiling (lower contrast) wide open that I traced to a fairly common problem with wide aperture lenses – some axial (or longitudinal) chromatic aberrations. This site uses Akismet to reduce spam. The focus ring and zoom ring are adjacent to each other, yet you can tell the difference between them thanks to the difference in size. The 16mm DN is the first Sigma mirrorless lens to include some moisture resistance, which I think very important on a lens that will likely be used for landscape work. We’ve only ever tested it on Fujifilm X Series cameras but it is also available for Sony APS-C. Wide open (f/1.4) the center performance is stronger than the corners, but neither are the corners mushy, either. Purchasing your gear through B&H and these links helps fund this website and keeps the articles coming. The Rokinon FE14M-S 14mm F2.8 Ultra Wide Fixed Lens is intended for fullframe cameras, although is compatible for APS-C sensor cameras and should work with it. Sony E 16mm f/2.8: Up until the arrival of the Sigma 16mm f/1.4, the Sony 16mm f/2.8 pancake lens was the only option Sony E-mount users had if they wanted a 24mm equivalent prime (35mm format) with autofocus. Log in. Although the Sigma is visibly larger, it is also worth pointing out that it is very lightweight for this type of lens. Not exactly the prime time of year to get great color. Some strong flare and ghosting can appear in extreme backlit situations but I didn’t find it to be overly problematic. I had to go digging to find the vignette to demonstrate here. ThePhotoForum: Film & Digital Photography Forum. The 16mm DN is 3.63” long (92.3mm) and a fairly narrow 2.84” (72.2mm) in diameter. Rokinon/Samyang 14mm vs 16mm - posted in DSLR, Mirrorless & General-Purpose Digital Camera DSO Imaging: Hi folks can I pick your brains. It’s fast, really fast! Vignetting isn’t an issue but distortion must be corrected with the lens profile since it is quite evident at 16mm. Chromatic aberration is minimal, as is vignetting. The resistance to flare and chromatic aberration is excellent and the unusual field of view (close to a 31.5mm lens in full-frame terms) makes it versatile for street, reportage and landscapes. Why choose the E 16-70mm ZA for your Sony APS-C camera: Published May 27, 2019 By Heather Filed Under: Best Of Tagged With: Best Lenses. Thud! One of those areas is when the ISO level goes up, as I find the “look” of the pixels to be more obvious on APS-C. A lens like this 16mm f/1.4 certainly helps that problem, though, as due to the wide maximum aperture, easy to handhold focal length, and, in the case of the a6500, an excellent IBIS system (In Body Image Stabiization), there are very few situations where a high ISO level will be necessary. Close-Focus: Marked at .66 f… Although there are quite a few E-mount zooms in existence, only a couple suit the size and weight of the APS-C range. Speaking of the a7RIII, the 16mm DN can be mounted on a Sony full frame E mount camera, where it will automatically trigger Sony’s APS-C mode (on the a7RII/a7RIII this is still a quite robust 18MP). Sadly it lacks a proper hyperfocal scale which is a bit odd considering this is a manual focus lens. Prime: - Rokinon 24mm F/1.4 Aspherical Wide Angle Lens - Rokinon FE14M-C 14mm F2.8 Ultra Wide Lens - Rokinon 16M-C 16mm f/2.0 Aspherical Wide Angle Lens - Rokinon 10mm F2.8 ED AS NCS CS Ultra Wide Angle Lens . The Sigma 16mm f/1.4 DN lens certainly looks very much like an ART lens! The Contemporary designation apparently comes because the lens relies on electronic correction (through the embedded profile) to correct for some things like distortion and vignette rather than the correction coming solely through the lens optics (which ART lenses are supposed to do). It comes with a smooth fly-by-wire focus ring and a 46mm filter thread. I don't mind canon or third party (sigma rokinon tokina) as long as it s a great lens. I inadvertently put this to the test, as I was shooting a wedding in Portland, Oregon, and had the lens in a harness system. If you have used the Rokinon 8mm f/2.8 Fisheye, this lens will feel remarkably similar and that’s a very good thing. All of the focus takes place internally, and nothing rotates at the front, which makes using a polarizer more simple. I think Sigma delivered what they needed to here. I’ve got nothing but good to say about the AF on this lens, which hasn’t always been the case with Sigma lenses in the past! Another great thing is that you can set your camera shutter speed to 21 seconds instead of 30 seconds, … Comparison – 7artisans 12mm F2.8 vs Rokinon 12mm F2. I had grabbed the wrong connector by accident, so I knew that I didn’t have as snug a fit in the holster that I had my Sony a6500 and the 16mm DN in (I was carrying it as a wide angle option to supplement my full frame bodies that did the heavy lifting). Note that vignetting and chromatic aberration are present at f/2.8 and f/4 and flare will occur if you shoot into direct sunlight. PentaxForums.com → Pentax Lenses and Accessories → Pentax SLR Lens Discussion → Zenitar 16mm vs Rokinon (Samsung) 14mm The quality of the bokeh in these situations is really quite good, though I did notice in an image with Christmas lights in the background that there were some concentric rings (commonly called “onion bokeh”) in the bokeh circles. This can be bothersome if you like keeping track of your aperture values. Minimal vignetting. The lens body is Sigma’s attractive, modern blend of black on black but given character through a variety of textures, including fine ribs at various points. The full frame image circle isn’t even close to being covered, and you will need to essentially crop to the regular APS-C crop factor to eliminate the black area where the image circle isn’t covered by the lens. We have a non-AF 12mm from Rokinon/Samyang, but then the only other wide prime in affordable price range is the Sigma 16mm… Focus ring position is same, but 7artisans has more comfortable aperture ring location … Personally, I would not use the Samyang 14mm f/2.8 for astrophotography, but if you need a pretty decent ultra wide-angle lens for landscape photography, it is of good value. This collection of lenses, however, demands a much more deliberate effort to compare how they see the world in front of them. Above, I compare the vignetting of the three lenses, both wide open and when stopped down. Samyang vs Rokinon 12mm f/2. It’s not always foolproof, but, then again, I’ve yet to see anything on a Sony system that quite matches the magic of Canon’s DPAF for video servo AF face tracking. Sigma’s approach to mirrorless lenses (DN) has come in two distinct phases. 5 Stars ... Sigma Tamron. While a wide angle lens like this is hardly going to make backgrounds disappear, a wide aperture on a lens like this does have the benefit of giving you a more 3 dimensional look to some of your images. It features a solid metal build (albeit without weather-sealing) and comes with a clicking aperture ring and smooth focus ring complete with a distance scale. Rokinon 12mm F2.0. Like many other native E lenses, the 16-70mm is quite compact on APS-C bodies, weighing just 308g. The lens design fully accommodates the Fast Hybrid AF of Sony E-mount cameras for super-fast autofocus functionality. The sharpness is also nicely even across the frame, with fairly good edge performance (important for landscape photographers). The ribbed focus ring is very smooth and precise, as is the de-clicked aperture ring. Extreme cold temperatures punctuated every now and then by blizzard-like storms. Filter size in an extremely common 67mm. Sigma 16mm vs Rokinon 12mm. Thank you! Stopping down to f/2 or smaller essentially eliminates the issues, and, as a result, there is a big difference between f/1.4 and f/2 ( as you can see in the sample below). Unfortunately, unlike the Fujifilm version of this lens (pictured above), it doesn’t have an aperture ring. I found it more challenging than I’m accustomed to on DSLRs. The only real downside of the 19mm is that it lacks full compatibility with Sony’s PDAF system so if you’re dealing with moving subjects, the performance won’t be stellar. Stopping down to f/2 does help a bit, but doesn’t eliminate the issue. The 30mm lens has a full frame equivalent focal range (on a Sony 1.5x crop factor) of 45mm, and has a relatively simple optical formula of 9 elements in 7 groups. Condition: New. Visit my Amazon page for some of my gear of choice! Happily the build quality leaves nothing to be desired. It’s a nicely made lens that has a premium look and feel to it. Make sure it is perfectly straight, otherwise it may cause some dark shading in the corners of your image due to the wide nature of the lens. By setting the Fstop so low means that you can reduce the ISO on your camera, creating less digital noise in your shots while still obtaining the same amount of light. Great News! Where mirrorless cameras go head-to-head! And there is a lot of it too! The lens for Micro Four Thirds offers a 32mm focal length (35mm equivalent) with the same f-number of 1.4. Why choose the Sony 20mm f/2.8 for your Sony APS-C camera: The Samyang / Rokinon 21mm is a light, compact and affordable manual focus prime available for most mirrorless systems including Sony E. (We tested it on the Fujifilm X-Pro2.). Here’s a 10-minute video from Nature TTL that looks at the best lens for star photography. Just like every other 14mm lens, it is an ultra wide-angle beast, perfect for landscape, street, and even astrophotography. Coupled with this fast aperture, it also provides the perfect focal length for astrophotography. The bokeh is also very nice, so you can achieve good results by focusing at the minimum focus distance (16.5cm) and f/2.8. I can’t really make a personal comment about the autofocus because we tested this lens on a Fujifilm body but reports suggest it is quick in S-AF but struggles a little more in C-AF, and it isn’t completely silent. The compact and lightweight Rokinon 12mm f/2.0 NCS CS prime wide-angle lens for Samsung NX APS-C sensor cameras provides a 35mm-equivalent focal length of 18mm with a broad 98.9° angle of view. Having owned and used the 30mm f/1.4 DN lens, I was excited for the release of the new Sigma 16mm f/1.4 DC DN Contemporary as a reasonably priced, premium wide angle option. It’s hard to argue with the value of the lens, which checks most of the boxes that a landscape lens should. As you’d expect from a wide-angle lens, there is lots of distortion and vignetting but both can be corrected by applying the lens profile. The lens’ strong performance at wide apertures only seals that deal! We consider this list dynamic in that we plan to update it whenever Sony or a third-party company release a relevant wide-angle product and we are able to test it. Why choose the Sigma 19mm f/2.8 for your Sony APS-C camera: A lens whose performance comes very close to that of the Sigma 19mm is Sony’s own 20mm f/2.8 (30mm in 35mm format). Note that the Sigma showed a slightly smaller angle of view than the Nikon or Rokinon, even though they are all 14mm lenses. For under $650, you'll have a suite of unique lenses that cover almost every kind of assignment or session. If you were familiar with the 30mm DN lens, it will seem a little large; if you were familiar with the 35/50mm lenses, it will seem quite small. You can purposefully see the distortion by turning off the profile correction, which shows that the lens definitely has some moderate barrel distortion. The new SIGMA 16mm F1.4 DC DN | Contemporary is the world’s first interchangeable lens for mirrorless Sony E-mount and Canon EOS M* cameras in the APS-C format to offer a 24mm focal length (35mm equivalent) and F1.4 brightness. I can now offer a 5% discount on all purchases at, Click to share on Twitter (Opens in new window), Click to share on Facebook (Opens in new window), Click to share on LinkedIn (Opens in new window), Click to share on Pinterest (Opens in new window), Click to share on WhatsApp (Opens in new window), Sigma 16mm f/1.4 DC DN Contemporary Review, Adobe Photoshop Creative Cloud 1-Year Subscription, Tamron 70-300mm F4.5-6.3 RXD (A047) Review, Tamron 70-300mm F4.5-6.3 RXD Image Gallery, Viltrox AF 56mm F1.4 Review and Image Gallery, Erotic Planet - Amateur Couple Fucks Hard, Supports all Sony focus technologies, including Eye AF, Good sharpness at f/1.4, exceptional sharpness and contrast from f/2 and beyond, No lateral CA, and little to no axial CA after f/2, Largest in class maximum aperture adds to versatility, Minor amounts of distortion remain after correction. It is only when I want to get wider at night that I pull out the Rokinon. The main advantages of this lens compared to the Sigma are its extremely compact construction and a very affordable price point. It doesn’t feature weather-sealing but the aperture ring is very precise and its focus ring is sufficiently stiff that it won’t move accidentally when shooting landscapes or astrophotography. I’ve previously reviewed the 19mm f/2.8 DN ART lens from Sigma, and, while the AF worked fine in a lot of situations, I discovered with use that I had some issues with the AF pulsing in and out some during video recording, particularly if there was any backlighting in the scene. Ended: Nov 25, 2020, 05:57:03 PM EST . The Rokinon 14mm f/2.8 and the Rokinon 14mm f/2.4SP. Discussion in 'Native X-Mount Lens Forum' started by SassE, Nov 30, 2016. It has a very small rubber gasket near the lens mount and Sigma calls it “dust and splash-proof”, which suggests some further sealing internally.

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